Ian Clothier / Andrew Hornblow: World Tree Orchestra:
tiny garden // biological audio installation
part of the exhibition-in-progress Pacific Shortcuts
(05 . 07. - 18. 08 . 2014)
Artists: Leah Barclay, Mez Breeze, Ian Clothier / Andrew Hornblow, Shannon Novak, Nigel Helyer, Pierre Proske // curator: Darko Fritz //
The exhibition Pacific Shorcuts presents artists from Australia and New Zealand who tackle the notion of nature and natural processes via the medium of technology. Dynamic exhibition program in the gallery was accompanied by series of lectures and performances.
The exhibition Pacific Shorcuts presents artists from Australia and New Zealand who tackle the notion of nature and natural processes via the medium of technology. Dynamic exhibition program in the gallery was accompanied by series of lectures and performances.
Pierre Proske: Brickets
interactive audiovisual outdoor installation
The Brickets project is a cybernetic investigation into the dynamics of synchronisation in nature. Fireflies blink mysteriously in unison while the electrical cells in our hearts synchronise causing an electrical pulse also known as a heart beat. These small electronic devices equipped with light, sound and radio communication chatter among themselves to the mysterious dynamic of self-sychronisation. The Brickets are self-sustaining using solar power to drive their circuits and awaken at dusk due to their in-built light-sensors.
Shannon Novak: String Section
interactive audiovisual AR installation
String Section transforms a wall into an interactive musical instrument. The audience can hold their own mobile device (smartphone or tablet) up to a series of geometric forms to trigger different musical notes, in this case, notes as played by a group of orchestral strings. The geometric forms also animate in real time through the screen on the mobile device using augmented reality, and there is the ability to create musical scores alone or with others using multiple devices. There are moments where the work alludes to Lucio Fontana’s suggestion of another dimension beyond what is seen, the use of line through space in Anthony Caro’s sculptures, and the geometrically rigid yet lively animations of Oskar Fischinger. The work presents a new musical language that has the potential to appear in nearly any location, over almost any object, and at practically any scale.